Floral patterns are taken to ecstatic extremes, from subtle grey petals to huge pink blooms to a dress in the shape of a giant peony. But now there seem to be infinite ways of reinventing hanbok, from a black and white lace-garnished suit worn by K-pop star RM to a deconstructed underwear dress designed by Suh Younghee. Hanbok style, with broad skirts for women and silk robes for men, expressed this old Korea: it was threatened again when South Korea started to industrialise after the Korean war. From 1910 until 1945 this identity survived colonisation by the Japanese empire. Until well into the 20th century, Korea was a pre-industrial society loyal to venerable customs. You are surrounded by clothes that are simultaneously futurist and ancient, a dazzling historical remix. Here that mix includes everything from Psy’s 2012 mega-hit Gangnam Style on an opening video wall to a space where you can attempt some K-pop dancing, to a spectacular display of contemporary takes on traditional Korean hanbok dress.įashion is fundamental to this exhibition’s gentle argument, for it does actually have one under the infectious soundtrack. Its array of flickering TV screens celebrates a zen-like hypnotic embrace of the endless, limitless possibilities of global communication. That outlook was anticipated by the late Korean-American video artist Nam June Paik: his 1986 installation Mirage Stage is one of the show’s first highlights. Fashion is fundamental … A floral jacket designed by Kim Seo Ryong and worn by K-Pop band BTS’s Jin in Hallyu! The Korean Wave.
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